Anfield was shorn of its flags and Liverpool lost all of their powers. A thumping first home defeat in 34 matches, against a highly accomplished Atalanta, left the Europa League favourites needing another stirring comeback to resurrect Jürgen Klopp’s chances of signing off with a Dublin final. A manager responsible for so many unforgettable European nights during his Liverpool reign is at risk of exiting quietly.

Gianluca Scamacca, the former West Ham disappointment, scored twice as Atalanta displayed the cutting edge, tactical discipline, physical power and defensive might that Klopp’s subdued team lacked all night. It was Liverpool’s first loss at Anfield in 26 games this season and their joint heaviest home defeat in European competition. There were no excuses. Klopp admitted his side “lost the plot” tactically and the overall performance level represented a low point in the campaign.

Liverpool failed to come to terms with the Italians’ man-marking system and the visitors would have recorded a more comprehensive victory but for glaring second-half misses from Scamacca and Teun Koopmeiners. Not that Atalanta’s threats merited any criticism. Together with Charles De Ketelaere they ran the Liverpool defence ragged. Liverpool’s European pedigree, and greater resources compared to their Europa League rivals, ensures a recovery in Bergamo next Thursday cannot be discounted but that is a distant prospect on this evidence. Atalanta relished their defensive duties as much as Scamacca enjoyed proving a point. Liverpool had no answers.

Flags were conspicuous by their absence on the Kop as fans staged a simple but effective protest against Liverpool’s decision to raise ticket prices by 2% next season. The displays, organised by supporters group Spion Kop 1906, have become an established feature of European nights at Anfield and create an image that is a marketing dream for the club. This was an exception. Only one banner was unfurled before kick off after Spion Kop withheld its services for the night. It read: “No to ticket price increases”.

The lack of colour, but not noise, was not the only unusual aspect of a European quarter-final at Anfield. Liverpool were apprehensive and vulnerable throughout as Atalanta took them on at their own pressing game and prospered.

It was a performance that showed why Gian Piero Gasperini’s side are unbeaten in 11 Europa League away fixtures, a sequence stretching back six years.

Mario Pasalic should have put the visitors ahead in the opening minutes when Virgil van Dijk’s awkward clearance struck De Ketelaere and rebounded into his path. The midfielder was five yards out and unmarked in front of goal but his snap-shot struck Caoimhín Kelleher in the face and deflected out for a corner. A busy, mixed night for the Liverpool goalkeeper was under way.

Alexis Mac Allister swept a good chance over the bar from a Harvey Elliott pull back and Darwin Núñez, sent clean through by Curtis Jones, poked a clearer opportunity wide with only goalkeeper Juan Musso to beat. That was wasteful, but there was also misfortune for Liverpool when Kostas Tsimikas’s free-kick landed at Elliott’s feet on the far side of the penalty area. The attacking midfielder started in place of Mohamed Salah and produced a Salah-esque curler that sailed over Musso only to strike both the underside of the bar and the inside of the far post before bouncing clear.

The chances did not signify any Liverpool dominance, however. Atalanta continued to cut through with Davide Zappacosta a constant outlet. The right wing-back created the opener when released down the wing by Koopmeiners. With time and room to pick his spot, Zappacosta found Scamacca arriving unmarked in the area and the striker swept a low finish under Kelleher. The keeper appeared to have Scamacca’s shot covered only to allow the ball to slip under his arms.

Kelleher atoned for his lapse by preventing Koopmeiners doubling Atalanta’s advantage on the stroke of half-time. Klopp delivered his judgment on Liverpool’s tame first half display at the interval. Tsimikas, Elliott and Jones did not reappear for the second half and were replaced by Andy Robertson, Salah and Dominik Szoboszlai respectively. The trio initially injected some much-needed urgency and bite into Liverpool’s game, with Salah forcing Musso into a sharp save from close range.

Atalanta were finally under a sustained spell of pressure but, just when it appeared another Liverpool recovery was on, the visitors struck again. Their second goal also came from creating space on the right and another precise cross. De Ketelaere was the provider with a first-time delivery that exposed the home defence. Scamacca, left completely alone by Ibrahima Konaté, cushioned a delightful finish into the bottom corner.

Klopp went for broke by introducing Diogo Jota into a four-man attack but a mistake by Szoboszlai presented Atalanta with their third. Scamacca seized on the midfielder’s loose pass and played in Ederson expertly. Kelleher saved from the midfielder but the rebound fell perfectly for former Chelsea player Pasalic to convert and point Liverpool towards an unexpected European exit.

A banquet room replete with well preserved frescoes depicting characters inspired by the Trojan war has been unearthed among the ruins of Pompeii in what has been described as one of the most striking discoveries ever made at the southern Italy archaeological site.

The 15-metre-long, six-metre-wide room was found in a former private residence in Via di Nola, which was ancient Pompeii’s longest road, during excavations in the Regio IX area of the site.

The “black room”, so-called because of the colour of its walls that were probably intended to mask the soot from burning oil lamps, was a “refined setting for entertaining during convivial moments”, experts said.

Its walls are adorned with artworks featuring mythical Greek characters, including one of Helen of Troy meeting Paris, prince of Troy, for the first time. The fresco includes a dog and a Greek inscription that reads “Alexandros”, the prince’s other name. According to Greek legend, the pair’s elopement triggered the Trojan war in the 12th century BC.

Another fresco depicts the Greek god Apollo trying to woo the priestess Cassandra. In his efforts to seduce her, Apollo had bestowed upon her the power to foresee the future, but when she rejected him he cursed her so that nobody would believe her predictions. As a result, she was unable to thwart the tragic events of a battle she had prophesied. After being raped during the capture of Troy, Cassandra ended up enslaved.

Gabriel Zuchtriegel, the director of Pompeii’s archaeological park, said the mythological figures had the explicit function of entertaining guests and providing talking points during feasts.

“The mythological couples provided ideas for conversations about the past, and life, only seemingly of a merely romantic nature,” he said. “In reality, they refer to the relationship between the individual and fate: Cassandra who can see the future but no one believes her, Apollo who sides with the Trojans against the Greek invaders, but being a god, cannot ensure victory, Helen and Paris who, despite their politically incorrect love affair, are the cause of the war, or perhaps merely a pretext.”

He added: “People would meet to dine after sunset; the flickering light of the lamps had the effect of making the images appear to move, especially after a few glasses of good Campanian wine.”

The artworks are “third style”, or ornate style, and dated between 15BC and AD40-50.

“It’s always difficult to judge quality but what we see is a high degree of care for detail, expression and shadows,” said Zuchtriegel. “This is very striking, as is the topic of the works.”

Meanwhile, the room’s sophisticated mosaic floor contains more than a million tiny white tiles.

The room opens on to a courtyard with a long staircase leading up to the property’s first floor, beneath which a huge pile of building materials was found. On the arches of the staircase, someone had drawn in charcoal two pairs of gladiators and what archaeologists said in a statement “appears to be an enormous stylised phallus”.

Excavations in Regio IX, a district of the city that had hosted a cluster of homes and workshops, have yielded plenty of other discoveries since beginning in February last year, including a home containing a cramped bakery where enslaved people were believed to have been imprisoned and exploited to produce bread.

The remains of three victims of the AD79 eruption of Mount Vesuvius were found in one of the bakery’s rooms. A still-life fresco resembling a pizza was also found on a wall in the home’s hallway. In December, 13 Nativity-style statuettes were found in an upright position on what was probably a shelf in the hallway of a home. Archaeologists said the figurines provided evidence of pagan rituals in Pompeii before the city was destroyed by Vesuvius.

“Pompeii is truly a treasure chest that never ceases to surprise us and arouse amazement because, every time we dig, we find something beautiful and significant,” said the Italian culture minister, Gennaro Sangiuliano.

The Pompeii ruins were discovered in the 16th century, with the first excavations beginning in 1748. Pompeii is the second most-visited archaeological site in the world.

Farmers who have their entire cropping land submerged underwater have found they are ineligible for a government flooding hardship fund – because their farms are too far from a major river.

According to the Met Office, 1,695.9mm of rain fell from October 2022 to March 2024, the highest amount for any 18-month period in England since the organisation started collecting comparable data in 1836. Scientists have said climate breakdown is likely to cause more intense periods of rain in the UK.

Agriculture organisations said earlier this week that food production was down in the UK because so much cropland was underwater after the floods.

The government this week opened a farming recovery fund scheme, under which eligible farmers can access grants of between £500 and £25,000 to return their land to the condition it was in before exceptional flooding owing to Storm Henk in January.

But farmers have said they have had funding applications refused because they do not meet criteria such as being located near a designated major river.

John Charles-Jones is an arable farmer based in Nottinghamshire. He said he was six miles from the nearest river and not eligible for the fund. His farm has been waterlogged since Storm Babet in October, with most of his topsoil washed away, making it unviable for cropping.

His losses are expected to go into six figures as he planted a third of his planned crops in the autumn before the rain hit, and only 10%-15% of that planted crop will be viable.

Charles-Jones pointed out the farming minister, Mark Spencer, was himself from a farming background in Nottinghamshire, one of the worst-affected counties, but that farmers in the area had been blocked from the fund.

“The eligibility criteria for recipients are completely flawed,” he said, “How could anyone take so long to come up with such nonsense? I don’t think I have ever witnessed such an ill-thought-out scheme. It is difficult to know quite where to start in picking it all to pieces. For once I had higher hopes, with farming minister Mark Spencer actually living and farming in one of the worst-affected counties.”

Andrew Naish, also from Nottinghamshire, said he had faced the same problem. “Whilst grants are technically available, it looks like you will have to have walked on the moon to qualify,” he said. “We, like many farmers, have suffered flooding and large financial losses this winter but fail to meet the criteria for claiming because the government has set the parameters at unachievable levels.”

Henry Ward, an arable farmer based in Short Ferry, east of Lincoln, is perhaps one of the most recognisable growers who have been hit by recent floods. His farm has been shown on news programmes over the past few months as it is entirely underwater, with his farmhouse sitting on what resembles an island in the middle of murky water.

His application for the hardship fund has been refused, despite the fact his farm has been underwater for six months. This is because his nearby river, the Barlings Eau, does not count as a major river in the scheme. Ward told the BBC: “If I’m not eligible, then who on earth is? I’m sure everyone is sick of seeing the pictures in the news as much as I am – but our farmhouse and yard is literally an island in the middle of a 500-acre [202-hectare] lake.”

Ward said his losses were about £100,000, and that he was eligible to claim £3,000 for a small piece of land away from the main farm that was close to the River Witham, but not able to claim any funding for the main farm, which was responsible for the bulk of his losses.

Rachel Hallos, the vice-president of the National Farmers’ Union, said: “It has very quickly become clear that there are major issues with the newly announced farming recovery fund, which aimed to help farmers devastated by Storm Henk in January.

“We are hearing from numerous members who have suffered catastrophic impacts who have been told they are not eligible for the fund because some of their affected areas are more than 150 metres from ‘main’ rivers. These include members with 90% of their land saturated or underwater, and huge damage to buildings and equipment.

“We are taking this up with the Department for Environment, Food and Rural Affairs urgently. I cannot believe this is what ministers intended when they launched the fund, which was a welcome and well-intentioned development, which seems to have been fundamentally let down in the detail. While the impact of the weather goes far beyond Storm Henk, this could have been a good start but, as it stands, it simply doesn’t work.”

Defra has been contacted for comment.