A year ago, Franky Dean, a 24-year-old documentary film-making masterâs student, decided to make a phone call sheâd been avoiding nearly half her life. She was sitting in a dark computer room in New York Universityâs journalism institute in Manhattan when she FaceTimed her parents. They were in the living room at her home in the UK, where she grew up. Franky told them sheâd just filed a police report about something that had happened more than a decade earlier. When Franky was 12, she had been sexually abused by a close friendâs dad.
Franky stared at her phone. For a moment, her parents didnât say anything.
âHow do you know that?â Franky remembers her dad saying.
âWhat do you mean? How do I know that?â she said, taken aback. âI know it because I remember it.â
And then her mum said two words that would change her life, again, for ever: âWe know.â
It was meant to be a climactic moment â a revelation that Franky had been building up to for years. Instead, it was the beginning of another story â the unravelling of a shadow narrative that spanned half of Frankyâs life. Itâs a story about what happens when police assume survivors of sexual abuse to be âunknowing victimsâ â a series of misinterpretations and missteps that amounted to Franky spending 12 years hiding her abuse from her parents while they spent 12 years hiding it from her.
Frankyâs story sheds light on a complicated and little-understood area in criminal law. What should police do if a victim does not know â or is presumed not to know â that they are a victim of a crime?
There are a number of instances in which someone may be an unknowing victim of a sex-related crime. For instance, if someone is date raped and does not remember that they have been assaulted. Or if they have consented to having sex with someone but do not know that they are being filmed or that the film is going to be distributed.
One of the most extreme examples is Gisèle Pelicot, 72, whose former husband Dominique is currently in court in France accused of drugging her to the point of a âcoma-likeâ state so that he and more than 70 strangers could sexually assault her at home. Gisèle says she had no idea that any of the alleged assaults had happened until she was told by police. She has chosen to waive her right to anonymity to raise awareness of the use of drugs to commit sexual abuse.
Franky has chosen to be public about what happened to her because she feels that misunderstandings about her experience as a victim have led to a miscarriage of justice.
Franky was a happy and bubbly child. She boarded at a private girlsâ school in England. One of her best friends was called Jo. Outside term time, the two girls played at each otherâs houses. Sometimes Joâs dad, Greg (not their real names), took them on outings, such as fishing trips. Anne Dean, Frankyâs mum, remembers respecting him. He had a military background and seemed nice. Perhaps a bit quiet, but she thought of him as âa normal dadâ.
One night, Franky was having a sleepover at Joâs house. Jo had offered Franky her bedroom and said that she would share her younger sisterâs bunk bed. At some point during the night, Franky noticed the glare of a computer in the corner of her eye. Greg was in the room, sitting on a chair by the desk. She wasnât alarmed and fell back to sleep.
But then, some time later, she felt something. Greg was touching her. He was still looking at his computer, but his left hand was under her loose shorts. Franky lay there, frozen. She didnât know what sex was, but she knew that what was happening was wrong.
The next morning, everything appeared to be normal. Greg lived in a detached house on a private estate, so he had to drive Franky to the gate for her mum to pick her up. During the journey, neither of them acknowledged what had happened. In the car ride home with her mum, Franky didnât bring it up. She felt ashamed. She wouldnât talk about it to anyone for several years.
The first person Franky told about the assault was her first boyfriend, when she was in her teens. Sheâd begun getting flashbacks to that night at Gregâs house. âItâs almost like the memory came to me later in life,â she says now. Sometimes when her boyfriend would touch her, sheâd feel uneasy. Or, when they were intimate with one another, sheâd have a panic attack afterwards.
But even small things, like the sound of her own breathing, could trigger her. âItâs the silliest thing, because Iâm breathing all the time,â she says. âIâm almost stuck in that position of constantly going over it, over and over again.â
The flashbacks had become vivid and all-consuming, but at the same time, they made Franky confused. She sometimes doubted whether the assault had happened at all. It felt like waking up after a nightmare. âYou wake up and youâre thinking: was that real? Was that not real?â
One day, when Franky was still a teenager, she called an NHS helpline to try to get therapy. She says she was told that since a child sexual assault had taken place, sheâd have to report the crime first. Franky felt trapped. She knew she needed help but she didnât want to be responsible for her friendâs dad going to jail. âI loved her so much,â she says. âI didnât want her to lose her dad.â
So she made a promise to herself. âIâm not going to tell my parents,â she decided. âWhatever happens, Iâm not going to tell them.â
What Franky didnât know was that her parents already knew.
In 2014, Frankyâs parents received a call from a detective constable. She asked if she could meet them at their house, and arrived soon afterwards. She told them that Greg had been arrested. A year earlier, three girls in a changing room had spotted him holding a small camera under the cubicle walls. Thames Valley police raided his home and seized his computers and laptops, which contained 13,000 indecent images of children. Some of the footage was of Franky. He had filmed her at his home: in the shower, using the toilet, and while he touched her vagina and lifted up her top, revealing her breasts.
Frankyâs parentsâ memory of that first meeting and what came after is blurry. Recently, theyâve begun trying to pin down exactly what happened and when. But one thing stands out in their minds. They remember the detective telling them that it looked as if Franky was asleep in some of the videos, and advised them that they shouldnât discuss what had happened with her.
Frankyâs dad, Andrew, describes himself as someone who is âfairly fussy about peopleâ, but nothing about the police officerâs manner alarmed him. Andrew and Anne were horrified about what had happened to their daughter, but the detective was âpersonableâ and had explained everything in a âreasonable wayâ. Her advice made sense to them. Frankyâs behaviour hadnât changed. She was still going to Joâs house. âWe just thought: well, whatâs the point?â Anne says. âIf she knows nothing about it, what good is it going to do to tell her that this has happened?â
Still, keeping it a secret was a challenge. They no longer wanted to let Franky go to Joâs house; but they couldnât explain why. Once, when Jo was at their house, Greg arrived to collect his daughter. Anne was horrified; she couldnât believe it. She ran inside to get Andrew. âHeâs here,â she said.
The man who had molested their daughter was metres away from them, outside their house, but the Deans felt they had to act breezy. âWe didnât want to make a fuss in front of the girlsâ or âstir anything up that might make Franky think anything about it,â Anne says. âWe also didnât know who knew what, because the police hadnât told us.â Andrew pulled Greg aside and told him to leave. âI didnât care what happened to him. It was so far down the priority list,â he says. âMy overriding question was always about whatâs best for Franky.â
On 2 September 2015, the detective emailed the Deans to inform them that the Crown Prosecution Service had authorised 22 charges against Greg. She said that since they strongly anticipated him pleading guilty (he had already fully admitted to the offences in interviews) there was no need to inform Franky about any of it.
The sentencing hearing took place in December. According to the local news account, Greg described his obsession as a âcancerâ â a disease he wanted to defeat. On 22 December, he was sentenced to a three-year community order but no jail time â despite admitting to all 22 charges. The Deans couldnât believe he wasnât going to jail. But they kept quiet. It was the same problem all over again. âWhat do we do about it?â Anne says. âBecause if we try to do something about it, weâve got to involve Franky.â
According to Suzanne Ost and Alisdair Gillespie, professors of law at Lancaster University, there is no explicit guidance in England and Wales on how police officers should deal with unknowing victims. âIf you look at the Victimsâ Code, for instance, there is nowhere in it that says: âvictims have a right to knowâ,â Ost tells me.
In 2019, Ost and Gillespie published a paper in the International Review of Victimology, addressing what they believed to be a gap in victimology and criminology literature. They put forward a hypothetical situation: a law enforcement agent comes across abusive images of a toddler, who is now an adult. As far as the agent knows, the victim is not aware that the images exist, or that the abuse has taken place. âNow imagine that victim is you,â they ask the reader. âWould you want to be informed of the crimes and the existence of the images?â
When Ost and Gillespie consulted police officers about this conundrum, they tended to agree that unknowing victims deserved to be told. But without any official guidance to disclose such abuse, potentially life-changing decisions are left to interpretation. As technology develops, the prospect of being filmed, photographed or AI rendered without oneâs consent becomes increasingly likely. But unknowing victims remain in a legal and ethical grey area, their fates determined by the discretion of individual police officers. âThey need more guidance full stop,â Ost says. âThis issue is not going to go away.â
Should unknowing victims always have a right to know, even if it will cause them trauma that could otherwise have been avoided? And what if a mistake has been made? What if â as with Franky â the unknowing victim, in fact, does know? Across the board, experts in child sexual abuse believe that there is not a one-size-fits-all solution to these questions.
âItâs just such an ethical debate,â says Lawrence Jordan, director of services at Marie Collins Foundation, a charity that supports victims and survivors of technology-assisted child sexual abuse. âNo one has been able to say with confidence â probably because itâs a case-by-case basis â that yes, a survivor should know or no, they shouldnât.â
Donald Findlater, the former director of Lucy Faithfull Foundation, the preventive child sex abuse charity where Greg received therapy (according to local newspaper reports at the time), recalls a story he heard at a conference. A woman said that when she was a child someone had taken photographs of her through the windows of her family home without her knowledge. She only found out years later when police knocked on her parentsâ door to tell them that someone had gone to prison for the crime.
The woman wished she hadnât been told. The revelation made her anxious. How could she protect herself from future danger if she was unable to protect herself from this? âAs a consequence of that knock on the door, sheâs now living with this very spooked world of thinking: whoâs watching me?â Findlater says.
What makes these decisions so challenging is that every survivor is unique; itâs impossible to predict the impact of disclosure until it happens. One of the most prolific incidents of unknowing victims in recent years was the case of Reynhard Sinaga, who drugged and raped at least 48 men in Manchester between 2015 and 2017. Almost all the victims had no idea they had been raped until police officers knocked on the door years later.
âIt was a moral dilemma,â says Lisa Waters, the former child service manager at St Maryâs sexual assault referral centre, who worked with police on these visits. âYou canât just go in there, tell them whatâs happened and drop the bombshell and walk away. You have an obligation to keep people safe.â
Some victims were numb; others were furious. âWhy have you told me this?â Waters recalls them asking. âIÂ had no idea that this happened to me. Youâve ruined my life. So why have you told me?â But for other victims, the revelation was a relief. They didnât have a clear memory of the night, but they had a feeling that something bad had happened. âUnknowing was harder than not knowing, even though what I know is horrible,â one victim told the BBC.
What may seem like an obvious distinction â between knowing and unknowing â is, in fact, hazy. Waters says that survivors sometimes report sexual assault years afterwards, perhaps because they have only recently remembered it happening.
âSexual violence can affect peopleâs mental health so deeply and so tragically that sometimes people will dissociate from their experience,â she says. âPeople will come to us, years later, and say, âI donât know what it was that made me think this is what has happened to me.ââ
Sam Tarling, a child investigative interviewing specialist, says she understands why police might not talk to unknowing victims of sexual assault when they are children, but adds, âThereâs a massive difference between: âLetâs not tell them nowâ and âLetâs never tell them.ââ She also cautions against the rationale for non-disclosure being that someone looked as if they were sleeping. Itâs not uncommon for children to pretend to be asleep during traumatic situations.
At its core, the concept of unknowing victimhood poses a deeper question: how certain can we ever be about what we know and what we donât know? A wealth of research into pre-verbal trauma tells us that we are shaped by experiences before we can even articulate them. In 1995, a clinical professor of psychiatry at University of Colorado hospital, Theodore J Gaensbauer, published a case study about a young boy called Robert (not his real name), who, at the age of seven months, was physically and sexually abused by his birth father.
When he was adopted, Robert was âcatatonicâ. He was afraid of men, he didnât want to be touched and he preferred to be left in a dark room, alone. As a child, he had behavioural problems and intense mood swings. Robertâs adoptive mother decided to take him to therapy. In one session, when Robert was eight, he said that heâd had a scary memory of his father hurting him. He flung himself to the floor, wailing hysterically, raising his bottom in the air. He shouted: âStop! I hurt all over! My bottom is red!â and, âDonât let him hurt me! Please donât do that to me! Iâm just a baby!â
Robertâs adoptive mother was disturbed and perplexed. Sheâd made a point not to talk about Robertâs birth father in front of him and he was too young to comprehend his assault when it took place. Yet it seemed the experience had stayed with him.
Tarling gives an example of a baby witnessing a violent fight between their parents, in which a knife is pulled and bottles of alcohol are everywhere. âYou wonât be able to process all of that because you donât have language for it. But what you might do, when youâre five, is have a complete meltdown when you see somebody get a bottle of beer out of the fridge,â she says. The child may not be able to explain why they are reacting so viscerally, but that âdoesnât mean you donât remember, it means that you canât articulate what youâve experienced, because when you experienced it, you didnât have wordsâ.
Without disclosure, unknowing victims of sexual abuse risk being isolated in a lonely, liminal state of partial knowledge, deprived of victim compensation or adequate psychological support built from a full picture of their histories and mental health.
About a year after Franky was assaulted, she and a group of girls were called into the deputy headâs office. It was a bright room, overlooking the front of the school. Franky remembers two police officers standing there, asking the girls if anything weird had happened at a friendâs party or sleepover. Franky recalls the girls looking round at each other, confused about what they were talking about. Months had passed since the assault and it wasnât at the forefront of her mind. âIt didnât trigger anything,â she says. âEven though I knew what had happened to me, it never clicked.â
Years later, when Franky finally reported the assault to the police, they brought up this school meeting, as if to say: why didnât you tell us then? âIt felt very much like victim blaming,â Franky says. Thereâs a particular art to interviewing children who might have been subjected to sexual abuse. Itâs called the ABE technique, which stands for achieving best evidence. Itâs a balancing act between wanting to get all the necessary information, without asking leading questions. Unfortunately, it doesnât always go to plan. âThe biggest problem is the lack of planning,â says Tarling, who has observed police rush into schools, and, because they donât want to ask leading questions, donât give children a full understanding of why they are there.
Tarling believes that hiring specialist child investigative interviewers (as opposed to police alone) could improve the process â people who understand both the demands of navigating an adversarial court system and child psychology. âI have very strong views about the feminist discourse around this,â she says. âA lot of it is rooted in this belief that speaking to children must be easy, because women [typically] do it ⦠they look after children and they stay at home.â
Philip Baines, a safeguarding and training consultant at the Marie Collins Foundation and former police detective on the Child Abuse Investigation Unit, covering Buckinghamshire, Berkshire and Oxfordshire, says he has also observed officers miss opportunities for disclosure. âItâs not necessarily that the child doesnât know the answer, itâs just you havenât asked the right question.â
In 2019, Franky was getting ready with her friend Kate (not her real name) for Henley Royal Regatta, an annual rowing race on the River Thames. âDid you ever know why the police had come to our school and talked to all of the girls?â Franky remembers Kate asking her. Franky said she didnât.
Kate said that her mum had told her. âIt was because Joâs dad had filmed us all in the toilets.â Franky didnât say anything, but her mind was whirling. It was the first time sheâd had confirmation that the shadowy memory of that night was probably real.
Soon after, standing with her mum in the kitchen, Franky decided to float what Kate had told her. âWho told you that?â Franky remembers Anne saying. Franky told her that it was Kate. âI never let you stay over at his after that,â her mum responded. Franky felt devastated; âI remember thinking to myself: it was way too late.â Franky and her mum were facing each other, talking about Gregâs predatory behaviour, but at the same time, they were worlds apart, each barricaded by their lack of understanding of what the other knew.
âBoth of us were obviously keeping face, almost hiding our own secrets,â Franky says. âShe was feeling me out to see if I knew anything about my assault, and I was feeling her out.â
It would be years until they would address it again.
The night before Franky filed a police report, sheâd been to the cinema to watch a new documentary, To Kill a Tiger. The film follows the story of an Indian farmer seeking justice after his 13-year-old daughter was gang raped. Franky was moved. âIf she has the confidence to do that where she is and at her age,â she remembers thinking, âI should be able to do the same.â She called the police the next day.
But months after filing the police report, Franky is still waiting for some form of closure. After the phone call with her parents, Frankyâs dad sent her his email correspondence with the detective who first approached them, which went back to 2014. Franky scrolled through it, feeling nauseous. She started having a panic attack. âThere was stuff that I didnât know had happened.â
She didnât know, for instance, that Greg had lifted up her top and filmed her breasts. Franky had recently started therapy at NYU, where sheâd been diagnosed with PTSD. She found this new revelation particularly upsetting. âIâd look at myself in the mirror and be like, Iâm disgusting,â she says. âIt was the body part that I really loved and now it just feels so violated and horrible.â
Frankyâs perceived unknowingness was brought up during Gregâs trial. âIâm told that these girls do not know what happened,â the judge is reported as saying, âbut if they did, a great deal of harm would be caused.â To Eleanor Laws, a barrister specialising in criminal, sexual offences, and civil harassment cases, this indicates âthat the judge has reduced his sentence because she thought that and was told that the victim was asleepâ.
The starting point for a prison sentence for someone who has committed a child sexual assault of this kind is usually four years, and if Franky was found to have suffered severe psychological harm, the starting point would have been higher: at least six years. But without Franky having the opportunity to give a victim statement, the judge would not be able to gauge the full impact that the assault had on her life.
Last Christmas, Franky returned to the UK and recorded an interview with a police officer at her house. She sketched out the room where she was assaulted; recalled details such as Greg touching her with his left hand. âShe was asking me questions that Iâve never even thought about before, but I had the answers to them, they were still in my head,â Franky says.
But after cross-referencing Frankyâs statement with video evidence gathered at the time, police came back with a response that Franky found disheartening. Sitting alone in NYUâs journalism department, Franky spoke to a detective constable over Zoom. He told her that it was unlikely that the incident she remembered was different from the one Greg had already been charged for, meaning that the case could not be reopened.
Franky felt depleted. In the UK, the prosecution can appeal against a sentence if they consider it to be too lenient, but there is a short time frame in which this can be done: 28 days. After this, the defendant cannot be retried for the same charge, unless new evidence arises that may amount to a separate criminal offence.
âEverything that I had been working up to for the past 12 years was unsuccessful,â Franky says. Listening to the police officerâs words, she couldnât stop crying. âThis whole thing went on about me,â she says, âabout my vagina, about my boobs. And I had no clue.â
âIâve completely lost what I needed, which was to be in court, say my piece, say what heâs done to affect me,â she says. âThis man has completely wrecked my mental health and I canât even sit in front of a court and have what feels to me like my own fair trial.â
Today, Franky wonders what might have happened if the story had gone differently, if police hadnât assumed she was asleep in the videos. She thinks that if sheâd been given a chance to speak, the outcome of the trial and the trajectory of her life might have been different. âI just have to deal with the fact that I can never be part of my court case.â
Franky doesnât blame her parents for what had happened; she thinks that âif I was in that position, I would have done the sameâ. But Anne and Andrew canât help but reflect on the years that passed them by, the years they kept Frankyâs assault a secret, consumed by guilt. Sometimes they wonder, knowing what they did at the time, if they should have done it any differently. âThe answerâs no,â says Andrew. âBecause we did it out of love.â